Pegasus Pulp e-books now available DriveThruFiction

Nope, I’m not going to get into the whole indie versus traditional publishing debate going on right now, complete with namecalling on both sides. It’s an ugly discussion and utterly unnecessary, because no one ever said that it had to be an either/or question.

So instead of namecalling, here is something positive:

Some of my Pegasus Pulp e-books are now available for sale at DriveThruFiction. DriveThruFiction is the e-book selling branch of DriveThruRPG, the largest RPG download store on the web. And of course, self-publishing has been common in the RPG world for a long time now.

DriveThruFiction specializes in science fiction, fantasy and horror, hence so far only Rites of Passage and Letters from the Dark Side are available for sale over there.

However, I will see whether it’s possible to upload some of the other books as well. For example, I think that the Silencer stories might be a good fit, since there is quite a bit of overlap between RPGs and classic pulp. Perhaps, some of the historicals would work, too, since there’s quite a bit of action in them.

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October sales and some observations about the German e-book market

First of all, here are my October sales figures. In October 2011, I sold 8 e-books across all platforms. The detailed breakdown is as follows:

Amazon US: 5
Amazon UK: 1
OmniLit/AllRomance ebooks: 2

This makes October a miserable month, even worse than August. Though the month actually started off well saleswise. But then, in the last two weeks of the month, my sales just stopped and never bounced back. Other indie authors also report a sudden drop off of sales in October. The suspected culprit is a big sale of traditionally published e-books at Amazon US to promote the new Kindles.

Luckily, November started out pretty good, so hopefully it will be better.

And now for something slightly different: Ever since the Frankfurt Book Fair, I have been waiting for current figures regarding the market share of e-books in Germany. Unfortunately, I haven’t heard anything other than the 0.7 percent share that we have been hearing reported since last year or so.

However, I came across this article from Börsenblatt, the magazine of the German booksellers’ association, in which Michael Busch, CEO of the biggest German bookselling chain Thalia, offers his prognosis for the future.

Busch predicts a market share of e-books in Germany of 3 to 4 percent in late 2012 and of 10 percent in 2014. Which would definitely indicate growth, but is still a far cry from the current e-book market share in the US let alone the share predicted for 2014. Of course, there is always the possibility that Busch is wrong. He wouldn’t be the first.

Nonetheless, Thalia is not planning to wait for its brick and mortar business to erode. They are planning expansions in the online and e-book business and have formed an alliance with 10 European bookselling chains, including Waterstone’s. Good for them, since I like both Thalia and Waterstone’s and would hate to lose them.

What I don’t like, however, is Busch’s announcement that he plans to reduce the floor space devoted to books in Thalia‘s brick and mortar stores and instead wants to remodel the stores in an “inspirational and event-oriented way”, which apparently means fewer books and more DVDs, toys, games, stationery, gifts, etc…

Do you know what inspires me and is an event for me? Visiting a bookstore. A big, wonderful bookstore with shelves upon shelves of books. I don’t need or want any of that other crap – I go into a bookstore to buy books. And I prefer my bookstore focused on books. I’m not even a fan of cafés in bookstores – if I want a coffee I’ll head to a dedicated coffeehouse where the selection is better anyway. Indeed, my favourite Bremen coffeehouse, Café Knigge, is located directly next to a Thalia store. Three guesses where I drink my coffee.

Not that some stores can’t make the books plus something else mix work for them. For example, Lesezeichen, a regional chain with stores in smaller towns in North West Germany, already offers maybe 50 to 60 percent gifts and home decor products and 50 to 40 percent books. But the Lesezeichen stores have done this for years and the gifts and home decor products they sell are actually nice. When I enter a Lesezeichen store, I look at all the knickknacks they sell (I’ve even bought a few), because their knickknacks are beautiful, high-quality products.

Now Thalia already sells stationery (because they bought up the Grüttefin chain, which focused as much on stationery as on books – you can always tell which used to be a Grüttefin shop, because they have so much more stationery). They also sell DVDs, toys, gifts, kitchen supplies, esoteric supplies like tarot cards, calendars, etc… I rarely look at the stuff, but as long as I get the books that I want, it doesn’t bother me either.

However – and this is potentially troubling – if they were to reduce floorspace to cram in more non-book crap, they won’t cut the shelf space in the travel book or diet book section (Who buys travel guides anyway? In the age of the internet, you don’t need them). No, what will suffer are the academic books, the foreign language books and other “exotic” sections – i.e. the parts of the store where I am most likely to hang out.

There was a smaller Thalia store in a mall that I used to visit quite frequently while I was at university, because I passed it in the way home. I bought quite a lot of books there over the years, too. Then, when I went back after a few months (once I graduated, the shop was no longer quite so convenient) the book section had shrunk to a few bestsellers and kids’ book, the foreign language section (which had been very good for a mall bookstore) was gone altogether and more than half of the floorspace was filled with stationery.

I grabbed a bookseller and asked her what happened to the foreign language section. They got rid of it to sell more stationery, she said, because foreign language books weren’t selling. “Well, I bought foreign language books”, I told the woman, “I bought a lot of books at your store. But you’ve just lost me as a customer, because you’re no longer carrying anything I want. If I want to buy stationery, I’ll go a hundred meters down the road to Staples, where it’s a lot cheaper.”

Okay, so that was probably mean, though nothing compared to the verbal smackdown I laid upon the person behind the counter at a local pharmacy which ripped out its beautiful vintage fifties interior to make the store look “light and modern”. Besides, converting a bookstore into a stationery store, when there’s a Staples within walking distance, is just plain stupid.

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New Collection – Letters from the Dark Side

Just in time for Halloween, we at Pegasus Pulp proudly present Letters from the Dark Side, a collection of spooky short fiction. What makes Letters from the Dark Side different from other run-of-the-mill short fiction collections is that it is entirely comprised of epistolary fiction, that is all stories are in the form of letters.

Letters from the Dark Side Who would you ask for advice if your new boyfriend suddenly started howling at the full moon? Where does a teenaged vampire turn, when his hunger starts interfering with his love life? How can a reanimated corpse find friends? Where would you complain if you were the victim of a zombie attack in the city park? How does a ghost find out who murdered her? Where do you turn if you’re a demon sick of sending souls to hell?

Letters from the Dark Side is a collection of short epistolary tales in the style of a True Confessions magazine.

For more information, visit the dedicated Letters from the Dark Side page.

Buy it for the low price of 0.99 USD, EUR or GBP at Amazon US, Amazon UK, Amazon Germany, Amazon France, OmniLit/AllRomance ebooks and XinXii.
More formats coming soon.

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An interview with Cora and a few short links

I’m obviously back from the UK (more on the e-reader situation there soon) and have a few links for you:

First of all, I have been interviewed by Alain Gomez at Book Brouhaha. We talk about short stories and e-books and how the e-publishing revolution can give the short story a boost in the arm. Come on over and say hello.

Pegasus Pulp e-books are now available at the Breakthrough Bookstore.

I also set up a bio page and listed my books at Indie Book Lounge.

There is also a bio page of me and a list of my books up at Book Junkies Library (link opens a PDF file).

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E-Readers in the Wild

I arrived safely in Newcastle. Spotted an e-reader, probably a Kindle on the plane.

And in a W.H. Smith store in the centre of Newcastle, I not only paid for my purchases at an robotic check-out (an automatic self-service checkout, where you have to scan your purchases in and then enter your card or some money – it’s pretty neat) but also had a clerk chat me up about the Kobo e-reader. I told her, “I don’t live in Britain and probably cannot purchase from your site”, but let her give me a leaflet anyway.

Considering that the Kobo/W.H. Smith deal was only announced barely a week ago, they certainly aren’t wasting time.

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Away

I will be in the UK for a few days with only occasional internet access.

But while I’m away, why don’t you read this USA Today interview with romance writer Nina Bruhns who indie publishes in addition to her traditional publishing career and talks about her experiences.

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One E-Book World?

I’m still following the Frankfurt Book Fair reporting on TV. Tonight there was another mention of the indie publishing phenomenon on aspekte, a well respected cultural magazine program. This mention was shorter and a lot more negative than yesterday’s.

Basically, they compared the challenges facing the publishing industry in the wake of the rise of e-reading to the challenges facing the car industry in the wake of the rise of the hybrid car. Yes, it’s not a comparison I would have made either and frankly I suspect they only made it, so they could show a futuristic exhibition hall sponsored by Audi in the background (the book fair premises are used for all sorts of other events as well, including a big car show. Audi built a dedicated pavilion for the car show and now everybody else hosting anything on the premises is stuck with the thing).

Next, they said that authors publishing their works themselves without the benefit of a publisher was a “nightmare” for publishers. That was all they said about indie publishing, then they started talking about e-book piracy (again in the Audi pavilion – someone must really like that thing) and interviewed a couple of well-known writers, critics and other celebrities, all of whom stated how much they loved print books.

If you want to see for yourself, the video is online at the ZDF Mediathek. The e-publishing segment starts around 1:15.

Yesterday’s Book Fair edition of Das blaue Sofa is now online as well. The indie publishing segment starts around the 19 minute mark.

But now enough about Germany. Let’s take a look at the situation around the world. Because while reading and publishing e-books can sometimes be frustrating for those of us outside the US (geo restrictions, Barnes and Noble won’t even talk to us, Amazon won’t do electronic transfers if you don’t have a US bank account, etc…), the situation gets a lot worse if you happen to live outside Amazon‘s fourteen favoured countries.

I have already posted all of the following links on my main blog, but since this stuff is important, it deserves to be linked twice:

Filipino blogger and writer Charles Tan has a great essay about how publishing and bookselling favours the West, particularly the US/UK, and how access to books, whether print or digital, is a lot more difficult in many non-western countries.

Malaysian writer Kaz Augustin describes her experience with Amazon Kindle Direct Publishing from the POV of someone who does not live in one of Amazon’s favoured fourteen countries. Basically, she can’t even download the Kindle for PC software to check her own e-books for formatting errors. She also has a follow-up post about distributor diversity.

French writer Aliette de Bodard also tackles the issues facing authors, readers and media consumers in non-western and/or non-English speaking countries and how the outdated regionalist attitudes of publishers and copyright owners encourage piracy.

Writers from outside the US or UK have always had it more difficult breaking into traditional publishing, even if they write in English, as outlined in this post on my main blog which got quite a bit of attention at the time. The rise of indie publishing should have leveled the playing field for non-Anglo-American writers, so why do Amazon and to a larger degree Barnes and Noble keep up these entry barriers?

Of course, e-books were also supposed to improve access to books for readers around the world now that physical copies no longer need to be shipped. And indeed sales of English language e-books are exploding all around the world, which for some reason really seems to surprise the publishing industry.

E-publishing, whether indie or traditional, already is a global business, so it’s time to treat it like one.

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Germany discovers Indie Publishing II

The Frankfurt Book Fair, the biggest gathering of the global publishing industry, is going on at the moment. And one consequence of book fair is a greatly increased coverage of literature and publishing topics in the media.

Now that I’ve joined the ranks of publishers myself, I was of course particularly interested in whether the book fair coverage would address the e-book and indie publishing phenomenon at all.

So far, most of the coverage – and it seems that there is less than in previous years – was the same old. A lot of reporting on this year’s guest of honour country Iceland, which turned out to be a lot more interesting than I expected, because Iceland turns out to have a very vibrant literary scene. I really like the guest of honour idea, because it means that you learn a lot about the literature of a country that you probably knew very little about.

Then there was a lot of reporting about the winner of this year’s German Book Award – I wrote about him on the main blog – the usual rounds of literary critics discussing worthy new releases, interviews with every interesting author or what passes for that (way too many celebrities talking about their memoirs for my taste) they could get hold of.

The special book fair edition of the literature program Das blaue Sofa (named for the blue sofa on which the host interviews his guests) was similar to the usual book fair coverage. Interviews with interesting authors (last year’d Nobel Prize winner Mario Vargas Llosas or Patricia Cornwell among others), a profile of a book which did not win the German Book Award (which indicates that at least this program bet on a different horse), an overview report showing celebrities ranging from the useless (some woman who has her own TV show and seems to be famous for pretending to be the stereotypical blonde bimbo) to the downright bizarre (a former RAF terrorist turned writer and the notoriously conservative ZDF is praising his book!).

And among all that, there was also a report about the rise of indie publishing. And – gasp – it was even tentatively positive. They had interviews with representatives of two German self-publishing platforms and a literary critic who was on the jury for the so-called New German Book Award for self-published books.

There were a couple of flaws in the report, at least from my point of view, such as no interviews with indie authors and zero mention of Amazon and Kindle Direct Publishing, which are a lot more important globally than the German platforms they did mention. Never mind that the German self-publishing platforms operate on a different model than US/international platforms such as Kindle Direct Publishing or Smashwords – they seem to be closer to Authonomy or whatever it’s called, the “gain exposure and be discovered” platform of Harper Collins. Call me cynical, but I prefer actually getting paid for my exposure.

Another big flaw was that the report claimed that none of the established publishers wanted to discuss the self-publishing phenomenon at all. However, one of the self-publishing platforms whose representatives were interviewed is actually tied to one of the so-called “big six” publishers. It’s right there on the website, in fact. See? It says “Verlagsgruppe Holtzbrinck” which is the parent company of Pan Macmillan, St Martin’s Press, Faber, Strauss and Giroux and Tor among others. Really, you’d figure a cultural journalist would manage to throw a two second glance at a website.

But even though the report was flawed, it was still surprisingly positive about self-publishing. This is particularly notable, because Das blaue Sofa is broadcast by the staid public TV channel ZDF – remember them? – about whose extremely negative and downright misleading coverage of the indie publishing phenomeon I blogged a few days ago.

I’d love to link to the actual program, by the way, but unfortunately it’s not to be found in the ZDF Mediathek.

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Germany discovers Indie Publishing

First of all, readers in Belgium and Monaco can also purchase Pegasus Pulp (or any other) e-books via Amazon France without paying the 2 dollar Amazon surcharge.

None of this changes that the European e-book market is still very small. David Gaughran offers a nice overview of the European e-book market at Let’s Get Digital. Personally, I think he’s a bit too optimistic to believe that Germany is only two years or so behind the US in the development of the e-book market. Even though the Kindle is new, e-readers have been available in Germany for several years now, for example the bookselling chains Thalia and Weltbild both offer e-readers. The truth is that certain factors which enabled the rapid growth of e-books in the US and the rejection of print books (many American e-book advocates really seem to hate print books) simply don’t exist in Germany. And the fixed book price agreement is only one factor.

This time last year, e-books made up only 0.5 percent of all books sold in Germany. The figure will almost certainly have risen by now, considering that Amazon opened the German Kindle store earlier this year and that the bookseller chain Weltbild/Hugendubel is offering a colour e-reader for only 59.99 Euros now. The drawback is that the screen is LCD rather than e-ink.

With a comparatively small market, electronic self-publishing is also just getting started in Germany. Except for Amazon.de and XinXii (neither of which is purely German), all German e-publishing platforms and aggregators I have examined offer pretty bad conditions, demand start-up fees and sometimes also want to edit and approve your book (I believe that editing is important, but I don’t want to be force-edited by an e-publishing platform). At least one of those platforms is also run by a traditional publisher who is one of the much cited “big six”, i.e. there is a big conflict of interest there.

However, the various indie publishing success stories have also reached the German media by now. Indeed, my Mom told me that she had heard about Amanda Hocking on the radio.

There have also been a couple of articles in the media. Spiegel Online offers a nice overview of the indie publishing phenomenon with shout-outs to Amanda Hocking, Joe Konrath and Stephen Leather. There is also an interview with Amanda Hocking and a follow-up article with German self-publishing stories (not mine, alas). The Spiegel articles are generally positive, though there is some condescension towards the fact that most indie authors are writing genre fiction. And of course there is more condescension towards Amanda Hocking who writes paranormal romance and urban fantasy (the article author’s attempts to translated both terms, which have no German equivalent, is very amusing) than towards Joe Konrath or Stephen Leather who write in the more respectable thriller and crime fiction genres.

The staid public TV station ZDF (inofficial tagline: Programming for the demographic of 80 to 120-year-olds) naturally views the e-book and indie publishing phenomenon with a huge dose of skepticism and negativity. Take the following posts on the ZDF Hyperland blog, which focuses on internet topics (and is therefore as modern as the ZDF gets): Here is a skeptical post on quickie e-books on current subjects (Mind you, the Bin Laden e-book mentioned in the post was published by Random House, i.e. a traditional publisher) and here is a post entitled “The Great E-Book Con”.

The title says it all really, though there is useful information hidden behind the polemic title, namely a warning of scammers who charge hundreds of Euros for guides about how to make a quick buck with e-books. Most likely, those guides are about selling private label rights e-books, a sort of scam I can’t stand anyway. So Hyperland is doing a public service by warning of scammers.

However, they don’t stop there. Instead, they go on to state that e-books sell badly (well, in Germany they do) and that hardly anybody can make a living publishing e-books. As an example they offer Wolfgang Tischer who wrote a German language guide to Kindle e-publishing and blogged about his experiences. However, Tischer is actually doing well in the tiny German market, though not as well as John Locke or David Gaughran with their respective e-publishing guides.

Even worse is that Hyperland complains that Amazon “takes 30 percent of the author’s sales”. Do they have any idea how low the royalties for traditionally published authors are?

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Pegasus Pulp e-books now available at Amazon France

All Pegasus Pulp e-books are now available at Amazon’s brand-new French Kindle store. This means that French readers can now purchase Pegasus Pulp e-books or indeed any other e-book without having to deal with the two US-dollar Amazon surcharge.

Here is Cora’s Amazon France author page.

And here are the individual books in the French Kindle store:

Countdown to Death
Flying Bombs
El Carnicero
Hostage to Passion
The Kiss of the Executioner’s Blade
Outlaw Love
Rites of Passage
Shape No. 8
The Other Side of the Curtain

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