Another Interview with Cora and why e-books don’t do well in Germany

First of all, I am interviewed by Scarlett Rugers at 1001 First Lines today, so come on over and say hello.

I also interviewed Scarlett on my blog last month, just in case you didn’t see it.

Meanwhile, Bloomberg Businessweek claims to have discovered the secret behind Germany’s scant e-book sales. The headline initially made me whince, “Oh dear, not another American article trying to psychoanalyze Germans for not doing something the way Americans are doing it! And then they’ll likely start rambling on about the fixed book price agreement and the VAT without understanding either.”

But the article and the arguments given are actually sound. E-books are growing only very slowly in Germany, because Germans actually value books as physical objects (while some Americans seem to view books as clutter) and there are plenty of places to buy them. There are some very specific factors present in the US that facilitated the rapid rise of e-books that simply don’t exist in Germany or elsewhere in Europe, so e-book growth is slower here.

The Spiegel Online article that Businessweek draw on can be found here, by the way. Am I the only one who finds it amusing that the comparative study on e-reading versus print reading was carried out by the Johannes Gutenberg university?

Manager Magazin, also has an article about e-readers in Germany, which paints a more positive picture.

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Treasures from the Trunk: Resurrecting Dead Stories

One of the best things about going indie is that it has made writing a lot more fun again, because it means that I am not constantly worrying about whether there is a market for any given story or nascent idea. For now I am my own market.

In the past few weeks, I have also started digging through my computer as well as old USB sticks, zip discs and other storage media for trunked or abandoned stories to see if there’s anything that’s salvageable. Since I started writing seriously in 1992, there’s a lot of material to uncover. Of course, the first few years are mostly crap that is only salvageable with some very heavy rewrites, if at all.

However, among more recent files I have come across several abandoned stories (and even some complete ones I had forgotten about) that actually do have potential. I have found plenty of half finished spicy historicals, since those were an almost guaranteed sale back in the day, so I wrote down every half-baked idea I had. And since spicy historicals still do really well for me, there’s a lot there that’s salvageable. However, I also found other stuff. I found the beginnings of a Harlequin Presents type romance – in space. I found a contemporary sheikh romance (whatever possessed me to try writing a sheikh romance?). I found three incomplete Silencer adventures. I found the beginnings of two rather intriguing epic fantasy stories. I found a story about vampires in 1920s Hollywood. I found three incomplete space operas, old-fashioned tales of space pirates, smugglers, humanoid robots and derring do in outer space. I found slightly more serious science fiction pieces – well, serious in the way that Astounding Science Fiction was serious in the 1950s. I found about 14000 words featuring Zane Smith and Shoushan Kariyan from The Other Side of the Curtain visiting an archaeological dig in mid 1960s Lebanon (no, I have no idea where that came from). I found the beginning of yet another pirate story. I found two crackling adventure stories in the style of the aviation pulps, probably because I wondered how on Earth anybody could fill several years’ worth of magazine runs with stories about airplanes. I found my first attempt at writing a western, long before Outlaw Love. I found a story that had the c-word (the one that rhymes with “hunt”) in the very first line. I found an idea that must have intrigued me so much that I started writing it twice.

In short, those discs and folders of long abandoned stories turned out to be a veritable treasure trove of ideas. Were all of the half-finished stories I found good? No, of course not. In fact, some had me shaking my head wondering whether I had written that under the influence of heavy medication. Will all of them see the light of day eventually? Most probably not. Sometimes, stories are abandoned for a reason.

Nonetheless, looking at all of those old stories I saw so much possibility, so many ideas that deserve to be written and published some day. Only two years ago, there was no market for most of those stories, because let’s face it, who would publish a spy novella set at an archaeological dig in Lebanon in the mid 1960s? But indie publishing has made all of those abandoned stories viable again.

And I for one can’t wait to write them.

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Not a New Story but a New Cover and Title: Courier Duty

I’ve revamped the short story formerly known as Shape No. 8, because it steadfastly refused to sell even a single copy in six months in its previous form.

I strongly suspect that the original cover (which you can see here) was too blame, because it was murky and never worked quite the way I wanted it to work. I’ve been meaning to change it for a while now and yesterday I did.

So Shape No. 8 now has a new cover, which you can see below, and a new title, since the old one was a bit too abstract- Thus, the story shall be known as Courier Duty from now on.

Courier Duty Courier duty is not really one of spy extraordinaire Carrie Ragnarok’s top ten assignments. Ferrying an object from point A to point B – that’s stressful, but not very exciting. Not even if the object in question is Shape No. 8, a hideously ugly and extremely expensive sculpture by obscure Bulgarian artist Vassily Bagdanorowsky worth 2.8 millions dollars. But an unexpected mugging can spice up even the dullest courier job…

For more information, visit the dedicated Courier Duty page.

Of course, you can also buy the story for the low price of 0.99 USD, EUR or GBP at Amazon.com, Amazon UK, Amazon Germany, Amazon France, Amazon Spain, Amazon Italy, DriveThruFiction, OmniLit/AllRomance ebooks or XinXii.

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March 2012 e-book sales figures and a couple of neat links

First of all, I’ve been interviewed by writer Jess C. Scott at her site.

What is more, a new month has begun, which means that it’s time for the monthly sales figures. In March, e-book sales picked up a little after a truly dismal February. They could still be a lot better though.

As a result, I sold 11 e-books across all platforms in March 2012. The detailed breakdown is as follows:

Amazon.com: 5
Amazon UK: 4
OmniLit/AllRomance e-books: 2

And now for some neat links:

There is some more sales stats analysis at Adventures in E-Publishing, where fantasy author Derek J. Canyon analyzes what self-published authors who report more than 50000 e-books sold have in common.

Dean Wesley Smith discusses indie publishing economics as well as short term and long term thinking among indie writers.

SFF writer Richard Parks has a great post about the ever changing literary scene and how even reaching ones goals usually doesn’t take one exactly where you want to be.

Bob Mayer shares the secret handshake for indie publishing success.

Agent/writer Nathan Bransford takes on the question whether digital self-publishing is a bubble and answer no, it isn’t.

Meanwhile, the New York Times reports about some very young self-publishers, namely kids in their teens.

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New Release: Seraglio

No, this is not an April’s Fool joke, I really have a new novelette available. I actually planned to announce it yesterday, but Amazon was slow to make it available.

This story is called Seraglio and it’s another of the stories I wrote for Man’s Story 2 once upon a time, though I have rewritten it and changed the ending, because I was never happy with the original.

And now, without further ado, I present you Seraglio:

Seraglio The peaceful life of sisters Naira and Margarid is shattered when their Armenian village is raided and their family slaughtered. Sold into slavery, the sisters are separated. Naira eventually ends up in the harem of the mighty Sultan Abdul Selim, ruler of the vast Ottoman Empire. Here, even the slightest hint of disobedience is punished with utmost severity, as the sadistic head eunuch assures her. And indeed the torments that await a disobedient slave in the Sultan’s harem are manifold. But with her sister in mortal danger, Naira is willing to face even death and worse to regain her freedom and save Margarid’s life.

Warning: There is quite a bit of violence and cruelty in this story, so sensitive readers should tread carefully.

For more information visit the dedicated Seraglio page.
But it for the low price of 2.99 USD or EUR, 1.99 GBP at Amazon US, Amazon UK, Amazon Germany, Amazon France, Amazon Spain, Amazon Italy, DriveThruFiction, OmniLit/AllRomance e-books and XinXii.
More formats coming soon.

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Another interview

I’m still in Yorkshire (for more, see my main blog), but in the meantime you can read an interview I gave Andy Rane at The Same Six Questions. Come on over and say hello.

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Interview with Writer and Cover Designer Scarlett Rugers a.k.a. Scarlett Archer

Scarlett Rugers Today, I welcome writer and cover designer Scarlett Rugers writing as Scarlett Archer to my blog. Scarlett has been kind enough to answer a few questions for me.

1. First of all, why don’t you tell us a little about yourself?

I live in Melbourne, Australia. I’m a huge movie fanatic and watch movies all day while I work- I usually have something on in the background! I run my own Graphic Design business and try and write when I find a spare hour in the day. I’ve only just realized in the last day or two I have a new closet crush: Daniel Radcliffe but only post Harry Potter. And I’m becoming addicted to Pinterest.

2. Your book, 1001 First Lines, is non-fiction? So do you see yourself as a fiction writer, a non-fiction writer or both?

My non-fiction book was a once off. At least so far. I’ve not felt compelled to write any other non-fic, and this wasn’t writing. It was just editing and compiling. I definitely still consider myself a fiction writer and I don’t think that’ll change any time soon.

3. As the title implies, your book is a collection of memorable first lines from literature. So how did you get the idea?

I was considering the first line for one of my novels and wanted to get some good examples. When speaking with others about it and doing some research on the internet I realised I wasn’t the only one curious about the art form of the first line. It was then I decided to put together the first lines so that I had it all in one place- and share that with other writer’s who had the same compulsion as I.

4. Even for an avid reader, finding 1001 memorable first lines – or rather finding them again, when you vaguely remember having read them somewhere – sounds rather daunting. So how long did it take you to write the book?

It took four months from woe to go. That includes days of working on it for 8-10 hours. It was the collection of lines, rechecking them, refining them, formatting the pages, designing the front and back, sending it to editors and then ordering the proof. I began in November and finished in February.

5. Your book collects many classic first lines by Jane Austen, Charles Dickens or Edgar Allen Poe. But there also are plenty of quotes from authors who are still living and still under copyright. Did you contact those authors and ask for permission or did you rely on fair use? And did you have any problems getting permission?

The fair use act was definitely applicable in this instance since I wasn’t changing or claiming any of the work as my own, and there’s about a 10% threshold when dealing with the use of other writer’s work in your own. The first line is such a tiny percentage that it was safe to move forward and produce the book.

6. So of all the 1001 first lines in your book, which one is your favourite?

‘The man in black fled across the desert, and the gunslinger followed.’- The Dark Tower by Stephen King.

7. The first thing I noticed about 1001 First Lines was the striking cover. And of course you also work as a freelance cover designer. So can you tell us a little about that?

I work exclusively with self-published authors and have been running a promotion of doing 30 covers for $50. The feedback I’ve been getting is that my work is very professional and of high quality and that encouraged me to keep going. It made sense to me to combine my two passions in life- writing and design.

I’ve been a designer for six years and a writer for over fifteen so I think that gives me an advantage of knowing how hard writer’s work, and being able to interpret what they sometimes struggle to for a visual representation of their story. I hope to establish a great relationship with the widespread writing communities everywhere. I saw book covers being produced that were below par and I felt I could make a positive contribution to the self-publishing industry to help destroy the ‘lower quality’ perception that a lot of people have. Designing professional looking covers helps that, I hope!

8. What are some of your favourite cover designs (trad or indie) of the past few years?

I fell in love instantly with Vladimir Nabokov’s series designed as a display box. You can see the collection here at the Book Cover Archives.

9. What’s your favourite of the covers you’ve designed?

I’m writing a dark retelling of The Wizard of Oz, and designed this poster for it that I’ll be adapting to a book cover eventually. I can’t wait to see that on a paperback cover, I think it’ll look great.

10. Are there any cover design trends you don’t like at all?

The lack of typography knowledge. The self publishing industry is booming, and a lot of writers are taking it upon themselves to design their own book covers. This is great except they focus on the image and not the text. The font face, placement of text, size and balance of type on your cover can have a dramatic effect and can make your cover look amateurish or brilliant. I’d like the trend of DIY book covers to start paying attention to their type as well as their image choice!

11. Do you think that the indie publishing revolution is offering new opportunities not just for writers, but also for freelance translators, editors, designers such as yourself, etc…?

I think ignoring the fact the revolution is happening is a big mistake for anyone on the fringe. The editors, ghost writers, designers, proof readers, formatters should all take advantage of this. Especially if you have a lot of experience and can show your skills. This is an industry that is dire for professionalism on all levels- grammar, spelling, formatting, structure, design. With other freelancers in the wings it gives us a great push in the right direction to give self-publishing a positive face!

Scarlett Rugers (writing as Scarlett Archer) has just released a book 1001 First Lines which is now available at Amazon! You can purchase a paperback, .lit, .epub, .mobi and PDF versions here: http://www.1001firstlines.wordpress.com.

She has been writing for over fifteen years, completed over eleven novels, and her main drive is in speculative fiction or its contrasting opposite romantic comedic novels. She has a passion for studying the art of story telling and is a grand lover of movies. Her focus in work is book cover designs which enables her to put all her energy in to the area she loves most- literature. You can get in touch with her about getting a book cover designed for you at http://www.booksat.scarlettruge rs.com

 

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More interviews, more on corporate erotica censorship, the resurgence of short fiction and other cool links

First of all, I am interviewed by John Warner at the Indie Book Spot today, where I talk about writing, goals, the ebook market, KDP Select, etc… Come on over and say hello.

Jim Kukral of the Author Marketing Club discusses the pros and cons of KDP Select at the Huffington Post. I am quoted in the article.

Meanwhile, the PayPal versus erotica issue seems to have been resolved to the satisfaction of e-book vendors and erotica writers, for PayPal has announced that they will only go after problematic erotica on a case by case basis and that their policies concern images more than purely written erotica. PayPal’s official statement is here and here is the announcement by Mark Coker of Smashwords. So all of those loud and thudding indie writers made a difference after all.

Though not everything is fine and dandy for erotica writers. Selena Kitt reports about random filtering of erotica titles at Amazon and vague and contradictory policies of payment processors.

Catherine Ryan Hyde has a great interview with Barry Eisler on her blog. Lots of good stuff there about indie publishing, cover design and also about the many Fails that pop up online and the often out of proportion attacks on those who are perceived to have failed in some way or other. Both Barry Eisler and Catherine Ryan Hyde have been at the receiving end of such situations.

More from Barry Eisler: In this article on his website, he discusses titles, cover design and book packaging in general.

At David Gaughran’s blog, Matthew Iden discusses how the indie publishing revolution has made previously unsellable fiction lengths such as novellas or mega monster doorstoppers not written by George R.R. Martin viable again. Considering that all of my published e-books so far are short stories and novelettes I certainly agree.

While on the subject of shorter e-books, Paid Content reports that Amazon claims to have sold more than two million so-called Amazon Singles, an Amazon edited program for essay length e-books that seems to be aimed mainly at non-fiction. They have also interviewed individual Amazon Single authors about their sales figures.

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More on PayPal versus Erotica

The debate over PayPal pressuring smaller retailers to stop carrying certain kinds of erotica continues.

Here is a good post on the issue from erotica writer Jolene Kendry at Indie Book Writing that I missed in my last link round-up of the topic.

Meanwhile, PayPal has finally responded publicly to complaints about the company forcing e-book vendors to remove certain types of erotica. Unsurprisingly, they claim that they believe in free speech (well, they should, considering their founders are ultra-libertarians) and that what they are doing is not censorship. Instead they’re trying to protect their company from the risks associated with allowing the sale of potentially illegal material.

Now I could almost understand their stance if the kind of erotica inacceptable under PayPal’s regulations were illegal. But pseudo-incest among adults not related by blood and sexual acts involving 18 or 19-year-olds are not illegal in practice, let alone in writing. And while actual incest, bestiality, necrophilia, etc… are illegal in most countries, writing about these things is generally not illegal except for certain depictions of pedophilia. And even if certain types of erotic content are illegal in certain countries, it’s always possible to block the offending work from sale in that country alone, just like e-books with swastikas on the cover are routinely blocked on Amazon Germany.

The statement about certain kinds of problematic erotica including images or blurring the lines between fiction and non-fiction makes no real sense either, because the only image included in most erotic e-books is the cover and guidelines for covers already are pretty strict. There apparently are erotic indie comics, but that’s a wholly different category. As for blurring the lines between fiction and non-fiction, if it’s in the fiction category it’s generally fiction. Or does anybody honestly think that My Stepdaddy and Me refers to the author’s actual stepfather? And anyway, if the blurring of fiction and non-fiction is a problem, then the authors could just add “This is a work of fiction” to cover themselves.

Meanwhile, the issue has also hit the mainstream media, as this article from the Toronto Globe and Mail shows.

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A Sales Milestone

Pegasus Pulp just passed the 100 sales threshold. This includes all books and all platforms.

For anyone who cares about a bit of statistics neepery, the platform breakdown is as follow: Continue reading

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